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The Predators, the universe’s most lethal hunters, have returned to Earth, stronger, faster, and smarter than ever, having genetically enhanced themselves with DNA from other species. Their arrival sparks chaos, and no one on the planet is prepared for the deadly game about to unfold.",{"type":41,"attrs":374,"content":375},{"textAlign":6},[376],{"text":377,"type":46},"When a young boy accidentally triggers their return, a ragtag group of ex-soldiers and an evolutionary biologist must step up to stop them. 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By emphasizing grotesque anatomy, asymmetry, and crude craftsmanship, he created a visual language that captured their chaotic and unpredictable nature.",{"type":41,"attrs":1301,"content":1302},{"textAlign":6},[1303],{"text":1304,"type":46},"Unlike the disciplined Orcs, these Goblins felt dangerous in their disorder—creatures of instinct and menace. His work exaggerated proportions and layered disturbing details, shaping the grim, oppressive tone of Goblin-town and grounding the sequence in a blend of horror and fantasy that set them apart as some of Middle-earth’s most nightmarish inhabitants.","// Visualizing the Underworld of Middle-earth",{"type":38,"content":1307},[1308],{"type":41,"attrs":1309,"content":1310},{"textAlign":6},[1311,1317],{"text":1312,"type":46,"marks":1313},"Grotesque Forms and Chaotic Craft:",[1314],{"type":49,"attrs":1315},{"color":1316},"#DFDFDF",{"text":1318,"type":46}," Shaping the Nightmarish Identity of the Goblins","\u003C!--#storyblok#{\"name\": \"text_section\", \"space\": \"341869\", \"uid\": \"2d52cf2c-b162-4072-be28-a2690ecf96f0\", \"id\": \"92614995632124\"}-->",{"_uid":1321,"items":1322,"component":33,"_editable":1341},"a2002bca-fc26-447b-a803-ffd49fca1479",[1323,1332],{"_uid":1324,"image":1325,"video":1329,"component":31,"_editable":1331},"36a2fdf4-3b6d-46ad-980e-186dfbf5ba3f",{"id":1326,"alt":24,"name":24,"focus":24,"title":24,"source":24,"filename":1327,"copyright":24,"fieldtype":26,"meta_data":1328,"is_external_url":28},92685587725101,"https://a.storyblok.com/f/341869/1398x1588/f70a115dd0/the-hobbit-14.jpg",{},{"id":6,"alt":6,"name":24,"focus":6,"title":6,"source":6,"filename":24,"copyright":6,"fieldtype":26,"meta_data":1330},{},"\u003C!--#storyblok#{\"name\": \"media\", \"space\": \"341869\", \"uid\": \"36a2fdf4-3b6d-46ad-980e-186dfbf5ba3f\", \"id\": \"92614995632124\"}-->",{"_uid":1333,"image":1334,"video":1338,"component":31,"_editable":1340},"76258920-a356-4577-a155-5c49a28f3a78",{"id":1335,"alt":24,"name":24,"focus":24,"title":24,"source":24,"filename":1336,"copyright":24,"fieldtype":26,"meta_data":1337,"is_external_url":28},92685587733294,"https://a.storyblok.com/f/341869/1398x1588/33e39663b5/the-hobbit-15.jpg",{},{"id":6,"alt":6,"name":24,"focus":6,"title":6,"source":6,"filename":24,"copyright":6,"fieldtype":26,"meta_data":1339},{},"\u003C!--#storyblok#{\"name\": \"media\", \"space\": \"341869\", \"uid\": \"76258920-a356-4577-a155-5c49a28f3a78\", \"id\": \"92614995632124\"}-->","\u003C!--#storyblok#{\"name\": \"media_row\", \"space\": \"341869\", \"uid\": \"a2002bca-fc26-447b-a803-ffd49fca1479\", \"id\": \"92614995632124\"}-->",{"_uid":1343,"body":1344,"width":159,"eyebrow":1362,"heading":1363,"alignment":84,"component":173,"heading_size":174,"_editable":1379},"a0870989-4dbc-4718-bd9f-5198163ebad5",{"type":38,"content":1345},[1346,1357],{"type":41,"attrs":1347,"content":1348},{"textAlign":6},[1349,1355],{"text":1350,"type":46,"marks":1351},"Across The Hobbit trilogy, Ben Mauro’s work spanned creatures,",[1352],{"type":49,"attrs":1353},{"color":1354},"#D8D8D8",{"text":1356,"type":46}," armor, and weaponry, shaping some of the saga’s most unforgettable visual moments. 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By capturing the scale, mystery, and narrative themes of Zeta Halo, his illustrations ensured that every interaction — from the menu to the battlefield — felt immersive and cohesive, reinforcing the game’s visual identity at every touchpoint.","// setting the Stage",{"type":38,"content":4297},[4298,4306],{"type":41,"attrs":4299,"content":4300},{"textAlign":6},[4301],{"text":4302,"type":46,"marks":4303},"Iconic Menu Illustrations:",[4304],{"type":49,"attrs":4305},{"color":3030},{"type":41,"attrs":4307,"content":4308},{"textAlign":6},[4309],{"text":4310,"type":46},"Framing the Halo Infinite Experience","small","\u003C!--#storyblok#{\"name\": \"text_section\", \"space\": \"341869\", \"uid\": \"045591c0-bbf5-4cbf-bdc6-31782d4f9537\", \"id\": 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The UNSC has been shattered by a devastating defeat at the hands of the Banished, a ruthless faction led by the Brute war chief Escharum. Stranded in space, Master Chief John-117 is recovered by a lone pilot and thrust back into battle on Installation 07, a mysterious and fractured Halo ring.",{"type":41,"attrs":4399,"content":4400},{"textAlign":6},[4401],{"text":4402,"type":46},"With the AI Cortana seemingly gone and the galaxy destabilized, the Chief must confront the Banished threat, uncover the secrets of the Halo’s fractured systems, and forge a new alliance with “the Weapon,” a fresh AI designed to stop Cortana. The story focuses on themes of resilience, redemption, and survival, as Master Chief wages a desperate fight to reclaim humanity’s future and prevent the Banished from seizing control of the Halo and its galaxy-shattering power.","As part of 343 Industries’ art team, Ben developed vehicles, environments, and weaponry for Halo Infinite. 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He defined the look and functionality of weapons, gear, vehicles, and technologies that made these near- and far-future battlefields cinematic and immersive.",{"type":41,"attrs":4857,"content":4858},{"textAlign":6},[4859],{"text":4860,"type":46},"From the exoskeleton soldiers of Advanced Warfare to the cybernetic operatives and transhumanist themes of Black Ops III, and the specialist-driven combat of Black Ops 4, his designs grounded speculative science and military futurism in a believable, visually striking aesthetic—ensuring players experienced not just thrilling gameplay, but a coherent vision of warfare’s future.","Ben contributed to Call of Duty: Advanced Warfare, Black Ops III, and Black Ops 4, designing weapons, gear, and futuristic technology that grounded the series’ near-future combat in gritty realism. 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These machines became one of the film’s defining visual elements, reflecting the sharp divide between the privileged citizens of Elysium and the exploited workers of Earth. Mauro’s contributions gave the film’s robotic cast both realism and character, supporting the social allegory at the heart of the story.",{"type":41,"attrs":4938,"content":4939},{"textAlign":6},[4940],{"text":4941,"type":46},"Working closely with director Neill Blomkamp, Mauro was deeply involved in shaping the entire visual language of Elysium. From the slums of Earth to the orbital habitat of the wealthy elite, he helped define architecture, technology, vehicles, and everyday objects that made the world feel lived-in and believable. His designs extended beyond hero props and set dressing, weaving a coherent visual logic through every aspect of the production. This holistic approach grounded the film’s speculative future in reality, giving audiences a world that felt both extraordinary and disturbingly possible.",[4943],{"_uid":4944,"image":4945,"video":4949,"component":31,"_editable":4951},"c7f18ead-f95e-49ac-902c-b803c891a2c7",{"id":4946,"alt":24,"name":24,"focus":24,"title":24,"source":24,"filename":4947,"copyright":24,"fieldtype":26,"meta_data":4948,"is_external_url":28},92679061576455,"https://a.storyblok.com/f/341869/1398x1600/67a05184f5/elysium-image-19.jpg",{},{"id":6,"alt":6,"name":24,"focus":6,"title":6,"source":6,"filename":24,"copyright":6,"fieldtype":26,"meta_data":4950},{},"\u003C!--#storyblok#{\"name\": \"media\", \"space\": \"341869\", \"uid\": \"c7f18ead-f95e-49ac-902c-b803c891a2c7\", \"id\": \"88111172629666\"}-->","// ABOUT THE Process",{"type":38,"content":4954},[4955],{"type":41,"attrs":4956,"content":4957},{"textAlign":6},[4958,4963],{"text":4959,"type":46,"marks":4960},"Designing the Robots of of a Future 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